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Snl Matthew Mcconaughey Lincoln Commercial – The first thing you do after watching Gold is look up the actual story the movie is based on. In fact, the first thing you do after watching Gold is find a Lincoln commercial to try to get the image of a fat, combed-over Matthew McConaughey out of your head. I mean, look at that poster in the metabox above. Yes Yes. Let me help:
Now that that’s over, you can focus on reading about Bre-X, the company this movie is based on. If you have no idea what Bre-X is, don’t look it up before watching Gold or you’ll spoil the movie. Also, don’t read the rest of this review because that’s obviously what I’m talking about.
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After watching this movie and reading about the Bre-X mining scandal, you’ll be wondering like everyone else: Why did they change the story like that? The real story is crazy enough. In the mid-1990s, a Filipino geologist for Bre-X Minerals convinced another geologist and an investor that he had discovered gold in Indonesia. Bre-X stock has risen from pennies to nearly $300 a share in two and a half years. It turned out that the Filipino salted the central samples of the site with chips from his wedding ring and then with gold from the river that he bought from the locals. The Indonesian government took over the site after the three men sold some of their shares and allowed another company to continue mining. After finding zero gold, the Filipino allegedly committed suicide by jumping from a helicopter. The shares became worthless, the investor denied everything and died two years later, and the other geologist was acquitted of his crimes and moved to the Cayman Islands. I mean, come on, this script writes itself. The only problem is how McConaughey looks like a Filipino.
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Because it was Hollywood, they changed things big and small. For starters, another geologist and investor were brought together to create Kenny Wells (McConaughey), an American miner who managed to destroy his father’s exploration company to the point of picking up the remains of the company in front of his waitress. Kay’s (Bryce Dallas Howard) Bar. Forty pounds makes sense now, doesn’t it?
In a drunken fever dream, he sees the jungle and knows he will find gold there. The next day, he remembers the stories of a geologist named Michael Acosta (Edgar Ramirez), who theorized the location of gold in Indonesia. Acosta is what the film’s writers made a Filipino geologist. Wells flies off to see Acosta and convinces him to work with him in the mine. After weeks of digging, they find nothing and Wells contracts malaria. When Wells recovers, Acosta informs him that they have found gold worth 1/8 ounce per ton of rock. Yes, they got rich! I mean. Wait, is that much? Doesn’t sound like much. Or did I just get the number wrong? No matter, they got rich!!
This is what you look like when you have gold rush and jungle rush at the same time.
The rest of the film bears little resemblance to the actual events, but is very reminiscent of a combination of Two for Money and The Wolf of Wall Street. A rise to the top, lavish squandering, helicopter sex, etc., followed by a fall from grace. The film tries to make Wells somewhat sympathetic, so that he cares more about being recognized as a great miner than money. Potatoes, pot-ah-to, right? This leads to him making some lucrative offers for the mine and you can guess where he ends up. The film also tries to make sense of his relationship with Kay, even though it completely falls apart over the course of the film and Howard is given very little to do outside of a breakup scene that comes out of nowhere. Finally, they try to increase his loyalty to Acosta, and that turns out to be the only thing that makes you root for him a little. To be fair, the film retains the scandalous part of Acosta salting monsters, paying off his shares, and possibly dying in a suicide helicopter jump (but not from a sex helicopter).
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Aside from adding a girl and changing characters, the movie takes place in 1988, and the time frame is shortened to about six months for no reason. They also involve two different investment firms competing for Wells as a partner, but really for Stacy Keach and Corey Stoll to get screen time (and Stoll was wonderfully on target as a sleazy Wall Street investor), but at least they serve the purpose of leads Wells through his rise and fall. Perhaps the oddest creative choice is that Bruce Greenwood takes on a bizarre accent while playing the gold magnate and is forced to look at the sticky, greasy McConaughey upon first meeting him. I can understand why the writers wanted to compare the fool to the bastard, but Greenwood fails to do so. That’s just mean.
(Note: Rachael Taylor is also sticky in this scene, so it’s not all bad for Greenwood. It probably still won’t be.)
Still, I don’t mind that they changed so much of the actual story, but I wish they hadn’t added the unnecessary girl subplot. It drags the movie down and doesn’t change your opinion that Wells is primarily a bad businessman and seems like a used car salesman. But what bothers me the most is that the movie tells you almost from the beginning that everything is going to end badly for Wells. At the beginning, we see a moving microphone clip and hear Wells talking to someone who is apparently interrogating him. As soon as you see that microphone, you know by the end of the movie that Wells is going to fail, you’re just not sure how. Unless of course you ignored me and read Bre-X before watching the movie. I actually went into this movie thinking it was the story of a man who defied all odds and ended up proving everyone wrong. I was looking forward to some crazy greetings and close calls, but in the end the inevitable victory. Thank you so much writer, for once I don’t approach a movie pessimistically, and you ruin it for me.
Still, I thought the movie was pretty good. McConaughey brings his A-game, you can never get enough of Stoll, and he’s far better than the typical January fare we’re used to seeing. And although I knew it would end badly, I never suspected the salt scandal, which was a real surprise. I just thought the fool would be taken by the Wall Street sharks and not his friend. Does Hollywood deserve a little beating for manipulating this crazy true story? Definitely. But that doesn’t mean it wasn’t worth a pat on the back. Hollywood star Matthew McConaughey is back behind the wheel of Lincoln, just in time for the NCAA football playoffs.
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A new ad campaign called “Perfect Rhythm” will feature two spots in 2018 featuring McConaughey and the Navigator, a first.
“Perfect rhythm is about the feeling you get in situations where everything is going together,” says John Emmert, Lincoln’s director of marketing. “This is our most luxurious, sophisticated and powerful navigator yet, combining modern luxury with cutting-edge technology that will enhance the experience of every passenger.”
The video was shot in the Pacific Northwest by cameraman Wally Pfister, who also worked on the “That’s Continental” campaign. The concept was for McConaughey to stop at a railroad crossing and start an impromptu concert, even though there was no train in sight.
“This piece is about energy,” Emmert added. “You can see that Matthew is in control. He starts the beat and builds it and becomes the master of his experience. We layered the complex sound design as the freight train enters the stage and thunders past. It becomes a beautiful crescendo of music, light and sound building up and then ceasing as suddenly as they begin.
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The two-part campaign will launch as a TV ad during the college football playoffs on Jan. 1, kicking off with this 60-second video. Another location will be announced later this month.
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